Video
Editor
Short-form and long-form edits, captions and repurposing that feed your channels — from $14/hr + GST.
What a Video Editor does
Video is hungry for volume. A video editor turns raw footage into polished short- and long-form content, captioned and repurposed across your channels.
Every StaffingSolutions.io video editor is recruited, hired and managed by us — reference-checked for your tools, working your business hours, and backed by our zero-risk promise: no placement fee, money-back first week, and a free replacement if the fit isn't right.
What they handle
- Short-form edits — Reels, TikTok, Shorts.
- Long-form edits — YouTube and webinars.
- Captions & subtitles.
- Repurposing — one shoot, many cuts.
- Motion & titles — clean graphics.
- Library management — organised.
A week in the role
Footage arrives, edits go out. The week is a cutting queue: a long-form interview trimmed and colour-matched, a set of vertical clips pulled out of it, captions burnt in, thumbnails made, and the whole lot exported to the right spec for each platform.
Ingests card dumps or Frame.io uploads, renames and organises footage into bins by shoot day and camera, generates proxies for the heavy formats, and backs the originals up before touching a timeline.
Cuts the main edit in Premiere Pro or DaVinci Resolve: removes false starts and dead air, tightens pacing, syncs multicam angles to audio, and builds a rough version for the client to comment on.
Pulls short vertical cuts out of the long edit for Reels, TikTok and Shorts — reframed to 9:16, hook in the opening seconds, each clip standing alone without the context of the full video.
Generates a transcript, corrects the Australian place names, product names and trade terms auto-transcription mangles, styles the captions to brand, and exports an SRT alongside the burnt-in version for platform upload.
Builds lower thirds, animated logo stings, callout arrows and end cards in After Effects, saves them as reusable templates, and keeps animation timing consistent across the client's whole video library.
Matches shots across cameras, applies the LUT or grade, then cleans the audio — noise reduction, de-essing, levels normalised to platform loudness so the video is not quieter than everything around it.
Edits recorded episodes: removes crosstalk and filler, balances speaker levels, adds the intro and outro beds, and produces the audio file plus a video version cut to whoever is talking.
Designs thumbnails and video covers with a readable face crop and few words at large size, then checks them at the small size they actually appear in a YouTube feed or an Instagram grid.
Exports each deliverable to the required spec — bitrate, codec, frame rate, aspect ratio, safe zones for platform UI — rather than sending one master everywhere and letting the platform recompress it.
Loads finished videos into YouTube as unlisted with the title, description, chapters, cards, end screen, playlist placement and thumbnail set, then hands the publish or schedule decision back to the client.
Selects music and stock footage from the client's licensed library — Artlist, Epidemic Sound, Envato — records the licence reference for every track used, and refers any new subscription to the client to purchase.
Works through timecoded feedback in Frame.io or Vimeo Review, versions each round clearly, and keeps a change list so a note raised in round one does not reappear in round three.
Consolidates finished projects, archives the media alongside the project file so an edit can be reopened months later, and keeps a searchable log of what was shot and where the b-roll lives.